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» » Weser-Renaissance, Manfred Cordes - Friedens-Seufftzer Und Jubel-Geschrey: Music For The Peace Of Westphalia 1648
Weser-Renaissance, Manfred Cordes - Friedens-Seufftzer Und Jubel-Geschrey: Music For The Peace Of Westphalia 1648 album download

Performer:

Weser-Renaissance

Title:

Friedens-Seufftzer Und Jubel-Geschrey: Music For The Peace Of Westphalia 1648

Genre:

Classical

MP3 album size:

1490 mb

Other music formats:

TTA MOD DTS AC3 MMF MIDI XM

Rating:

4.9 ✱

Style:

Baroque

Date of release:

1998

Weser-Renaissance, Manfred Cordes - Friedens-Seufftzer Und Jubel-Geschrey: Music For The Peace Of Westphalia 1648 album download

Tracklist Hide Credits

1-1 Nun Lob Mein Seel Den Herren À 8, À 16, À 15
Composed By – Johann Schop
11:18
Liedeinlagen Zu Johannes Rists "Das Friedewünschende Teutschland"
1-2 Himmel, Weine Bitterlich
Composed By – Michael Jacobi
2:22
1-3 Bist Du Denn Blind, O Teutsches Reich
Composed By – Michael Jacobi
1:51
1-4 So Ligt Denn Nun Das Arme Weib
Composed By – Michael Jacobi
5:04
---
1-5 Da Pacem, Domine À 9 SWV 465
Composed By – Heinrich Schütz
5:18
1-6 Merck Fleissig Auff Mein Frommer Christ À 6
Composed By – Anonymous
1:50
1-7 Ich, Der Häßlich Bleiche Tod À 4
Composed By – Sophie-Elisabeth von Braunschweig-Wolfenbüttel
2:38
1-8 Nun Dancket Alle Gott À 12
Composed By – Heinrich Schütz
5:11
1-9 Gott Ist Und Bleibt Der König À 6
Composed By – Johann Stobaeus*
2:52
1-10 Dankt Gott An Allen Enden À 6
Composed By – Johann Stobaeus*
2:52
1-11 Verleih Uns Frieden À 7
Composed By – Andreas Hammerschmidt
5:16
1-12 Vater, Des Die Langmut Ist À 5
Composed By – Heinrich Albert
2:31
1-13 O Ihr Götter Dieser Erden À 2
Composed By – Heinrich Albert
2:38
1-14 Lobet Gott In Seinem Heiligtum À 5
Composed By – Heinrich Albert
3:00
1-15 Weiche, Mars, Und Dein Soldat À 4
Composed By – Anonymous
3:56
1-16 Lobet Den Herren In Seinem Heiligtum À 15
Composed By – Thomas Selle
13:56
2-1 Danket Dem Herrn À 12
Composed By – Johann Andreas Herbst
8:17
Musicalische FriedensSeufftzer
2-2 Ach Herr, Sih Doch, Wie Bang Ist Mir À 3
Composed By – Johann Erasmus Kindermann
4:07
2-3 Da Pacem, Domine À 3
Composed By – Johann Erasmus Kindermann
2:34
2-4 Fried, Wo Bist So Lang Geblieben À 4
Composed By – Johann Erasmus Kindermann
2:33
Musicalische Friedens-Freud
2-5 Laßt Uns Alle Fröhlich Singen Von Dem Fried Hin Und Her
Composed By – Johann Erasmus Kindermann
2:30
2-6 Wie Ist Uns? Traumt Uns Etwan Nur Von Deme, Was Wir Sehen?
Composed By – Johann Erasmus Kindermann
2:49
2-7 Nun Lieben Christen, Freuet Euch
Composed By – Johann Erasmus Kindermann
2:51
---
2-8 Ach Herr! Du Hast Uns Diese Kriegslast Auferlegt À 4
Composed By – Johann Werlin*
2:15
2-9 Wie? Ist Der Held In Israel Gefallen? À 4
Composed By – Johann Staden
4:13
Musicalische Friedensgesänge
2-10 Brich An, Du Schöner Tag À 6
Composed By – Sigmund Theophil Staden
3:52
2-11 Fröhliche Post À 6
Composed By – Sigmund Theophil Staden
3:17
---
2-12 Es Hat Ein Tantzer Gesprungen À 4
Composed By – Vicentz Rupffenbart
1:19
2-13 Impetum Inimicorum À 7, À 4
Composed By – Melchior Franck
6:07
2-14 Wolauff, Mein Gantzes Ich À 4
Composed By – Adam Drese
2:26
2-15 Jetzt Ist Es Zeit, Wir Sind Bereit À 8
Composed By – Johann Müller
2:57
Krieges-Angst-Seufftzer
2-16 Ach! Herr! Der Erbarmer Der Menschen À 1
Composed By – Johann Hildebrand
5:44
2-17 Ach Gott! Wir Habens Nicht Gewußt À 1
Composed By – Johann Hildebrand
5:38
2-18 Himmel Auf, Seufze Mit Begier À 4
Composed By – Johann Hildebrand
1:07
Helden-Gesäng
2-19 Der Held In Israel
Composed By – Erasmus Widmann
4:13
2-20 Gustav Der König In Schweden
Composed By – Erasmus Widmann
3:10
---
2-21 Da Pacem, Domine À 10
Composed By – Andreas Berger
4:09

Companies, etc.

  • Phonographic Copyright (p) – cpo

Credits

  • Alto Vocals – Beat Duddeck
  • Alto Vocals, Organ, Harpsichord, Regal – Detlef Bratschke
  • Bass Vocals – Andras Koncz, Stephan MacLeod
  • Chitarrone, Guitar – Thomas Ihlenfeldt
  • Co-producer – Westdeutscher Rundfunk
  • Conductor, Organ, Regal – Manfred Cordes
  • Cornett – François Petit-Laurent, William Dongois
  • Cover [Painting] – Gerard ter Borch*
  • Dulcian – Birgit Bahr
  • Engineer – Martin Andrae
  • Ensemble – Weser-Renaissance
  • Executive-Producer – Barbara Schwendowius, Burkhard Schmilgun
  • Harp, Organ – Margit Schultheiß
  • Liner Notes – Stefan Hanheide
  • Recording Supervisor – Andreas Beutner
  • Soprano Vocals – Mona Spägele, Susanne Rydén, Susanne Wilsdorf
  • Tenor Vocals – Achim Kleinlein, Harry Geraerts, Wilfried Jochens
  • Trombone – Detlef Reimers, Henning Plumeyer, Yuji Fujimoto
  • Viola da Gamba – Barbara Messmer
  • Viola da Gamba, Violone – Barbara Hofmann
  • Violin – Ghislaine Wauters, Jochen Grüner

Notes

Recording: 20-27 November 1997, Sengwarden, St. Georgskirche
78-pages booklet
Playing time CD 1 68:14, CD 2 70:02

Barcode and Other Identifiers

  • Barcode: 761203957125
  • Label Code: LC 8492
  • Rights Society: GEMA

He worked as both a poet and composer, arguing that "noble music and poetry should be readily compatible," although he was not widely recognized as a poet. He is remembered primarily for his peace motet: tzer" bey itzigen grund-bösen kriegerischen Zeiten instendig zu gebrauchen (1645), based on Bible verses and original poetry by the composer. Apart from that and a funeral piece from 1648, other possible attributions may have been confused with the works of Johann Heinrich Hildebrand, the Kantor at Ohrdruf; and it remains uncertain. ^ On Friedens-Seufftzer und Jubel-Geschrey - Music for the Peace of Westphalia. Weser-Renaissance Ensemble Bremen dir. Manfred Cordes.

Friedens-Seufftzer Und Jubel-Geschrey: Music for the Peace of Westphalia 1648. 2000 CPO. Released on: 2000-01-01. Conductor: Manfred Cordes Ensemble: Weser-Renaissance Bremen Composer: Heinrich Schütz. Auto-generated by YouTube.

Königsberg: Lorentz Segebad, 1630. In Friedens-Seufftzer und Jubel-Geschrey - Music for the Peace of Westphalia. cpo. References Kriegswesens. in der gemeinen und gebräuchlichen Kirchen- Melodey: Hertzlich thut mich verlangen. Königsberg: Lorentz Segebad, 1630.

German Music for Trombones. Selle, . Auferstehung Christi (Die) (Historia - Sacred Concertos and Motets for Easter). Jesus Christus Unser Heiland Der Von Uns Den Gotteszorn Wandt, Schop, . Ich Ruff Zu Dir, Herr Jesu Christ. Friedens-Seufftzer Und Jubel-Geschrey: Music for the Peace of Westphalia 1648. Show: Album Works Tracks. Orchestras, Ensembles.

Featured on Friedens-Seufftzer Und Jubel-Geschrey: Music for the Peace of Westphalia 1648. More by Heinrich Albert. War & Peace - 1618:1918. Uusin kirkkain sävelin. Music in a Cold Climate: Sounds of Hansa Europe. The Complete New English Hymnal, Vol. 12. Bogenhauser Künstlerkapelle (Forgotten Avant-Garde of Early Music). You look like someone who appreciates good music.

Weser-Renaissance Ensemble Bremen dir. Manfred Cordes, CPO. Back to Profile. Vierstimmiger homophoner Satz (SATB) mit 37 Strophen. This is recorded on Friedens-Seufftzer und Jubel-Geschrey - Music for the Peace of Westphalia.

Vierstimmiger homophoner Satz (SATB) mit 37 Strophen. References. WorldCat Identities (via VIAF): 34223745. This biographical article about a German religious figure is a stub.

Ulm: Johann Görlin (Balthasar Kühn), 1643/1644. on Friedens-Seufftzer und Jubel-Geschrey - Music for the Peace of Westphalia. Konzerte zu 2, 3 und 4 Stimmen in unterschiedlichen Besetzungen und . Neuausgabe: Denkmäler der Tonkunst in Bayern, Druck i. Vb. Manfred Cordes (born 1953) is a German conductor of early music, musicologist and teacher. He is professor at the Hochschule für Künste Bremen and was its rector from 2007 to 2012.

On Friedens-Seufftzer und Jubel-Geschrey - Music for the Peace of Westphalia. John S. Sainsbury, Alexandre Choron A dictionary of musicians: from the earliest ages to the present p202 1824. The Ratification of the Treaty of Münster, 15 May 1648 (1648) by Gerard ter Borch. Dutch envoy Adriaan Pauw enters Münster around 1646 for the peace negotiations. The reverse of this medal: Christina of Sweden as Minerva standing . holding an olive branch in her l. arm, and grasping the tree of knowledge with her r. hand.

He worked as both a poet and composer, arguing that "noble music and poetry should be readily compatible," although he was not widely recognized as a poet.

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