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» » Maria Callas - The Live Recitals
Maria Callas - The Live Recitals album download

Performer:

Maria Callas

Title:

The Live Recitals

Genre:

Not music / Classical

MP3 album size:

1604 mb

Other music formats:

WAV DTS MMF MP3 MIDI APE VOC

Rating:

4.5 ✱

Style:

Opera, Interview

Date of release:

2012

Maria Callas - The Live Recitals album download

Tracklist Hide Credits

Live In Rome 1952 & San Remo 1954
Rome 1952
1-1 Vieni! T'affretta...Or Tutti Sorgete (Macbeth, Act I) 6:05
1-2 Ben Io T'invenni...Anch'io Dischiuso Un Giorno (Nabucco, Act II) 8:15
1-3 Il Dolce Suono...Ardon Gli Incensi (Lucia Di Lammermoor, Act III) 12:34
1-4 Dov'è L'indiana Bruna? (Bell Song) (Lakmé, Act II) 7:45
San Remo 1954
1-5 Tutte Le Torture (Die Entführung Aus Dem Serail, Act II)) 8:38
1-6 Ahimè! Che Notte Oscura...Ombra Leggera (Shadow Song) (Dinorah, Act II) 6:48
1-7 Depuis Le Jour (Louise, Act III) 5:54
1-8 D'Amore Al Dolce Impero (Armida, Act II) 6:35
Live In Milan 1956 & Athens 1957
Milan 1956
2-1 Tu Che Invoco (La Vestale, Act II) 11:10
2-2 La Dama D'Arturo...Oh, Vieni Al Tempio (I Puritani, Act i) 7:29
2-3 Bel Raggio Lusinghier (Semiramide, Act I) 6:12
2-4 Ai Vostri Giochi...Ed Ora A Voi Cantero Una Canzon (Hamlet, Act IV) 10:13
Athens 1957
2-5 D'Amor Sull'Ali Rosee (Il Trovatore, Act IV) 6:29
2-6 Pace, Pace, Mio Dio! (La Forza Del Destino, Act IV) 6:10
2-7 Dolce E Calmo (Tristano Und Isolde, Act III) 6:28
2-8 Regnava Nel Silenzio...Quando Rapito In Estasi (Lucia di Lammermoor, Act I) 8:04
2-9 Ai Vostri Giochi...Ed Ora A Voi Cantero' Una Canzon (Hamlet, Act IV) 10:26
2-10 Encore: Ed Ora A Voi (Hamlet) 4:36
In Rehearsals, Dallas 1957
3-1 È Strano!...Ah, Fors'è Lui...Sempre Libera (La Traviata, Act I) 7:35
3-2 O Rendetemi la Speme...Qui la Voce... (I Puritani, Act II) 9:23
3-3 Vien, Diletto (I Puritani, Act II) 4:15
3-4 Piangete Voi?... (Anna Bolena, Act II) 5:24
3-5 Al Dolce Guidami... (Anna Bolena, Act II) 4:19
3-6 Qual Mesto Suon... (Anna Bolena, Act II) 7:10
3-7 Suon Festtiva?... (Anna Bolena, Act II) 1:37
3-8 Coppia Iniqua (Anna Bolena, Act II) 9:58
3-9 Nel Di Della Vittoria...Vieni! T'Affretta (Macbeth, Act I) 10:08
3-10 Tutte Le Torture (Die Entführung Aus Dem Serail, Act II) 13:36
Live In London 1958 & 1959
4-1 Vissi D'Arte (Tosca, Act II) 3:45
4-2 Una Voce Poco Fa (Il Barbiere di Siviglia, Act I) 7:08
4-3 Casta Diva (Norma, Act I) 5:20
4-4 Un Bel Dì Vedremo (Madama Butterfly, Act II) 4:26
4-5 Sì, Mi Chiamano Mimì (La Bohème, Act I) 5:20
4-6 L'Altra Notte In Fondo Al Mare (Mefistofele, Act II) 5:20
4-7 Una Macchia È Qui Tuttora! (Macbeth, Act IV) 7:20
4-8 Oh! S'Io Potessi Dissipar Le Nubi (Il Pirata, Act II) 6:23
Live In Hamburg 1959
5-1 Tu Che Invoco (La Vestale, Act II) 11:11
5-2 Nel Dì Della Vittoria...Vieni! T'Affretta (Macbeth, Act I) 5:28
5-3 Una Voce Poco Fa (Il Barbiere Di Siviglia, Act I) 7:06
5-4 Tu Che Le Vanità (Don Carlo, Act IV) 11:35
5-5 Oh! S'Io Potessi Dissipar Le Nubi... (Il Pirata, Act II) 9:08
5-6 Col Sorriso D'Innocenza... (Il Pirata, Act II) 3:42
5-7 Qual Suono Ferale Echeggia...Oh, Sole! Ti Vela (Il Pirata, Act II) 4:42
Live In Stuttgart 1959
6-1 Or Che Vedi Il Mio Tormento (La Vestale, Act III) 11:09
6-2 Nel Dì Della Vittoria...Vieni! T'Affretta (Macbeth, Act I) 5:33
6-3 Una Voce Poco Fa (Il Barbiere Di Siviglia, Act I) 6:44
6-4 Tu Che Le Vanità (Don Carlo, Act IV) 11:11
6-5 Oh! S'Io Potessi Dissipar Le Nubi... (Il Pirata, Act III) 9:12
6-6 Col Sorriso D'Innocenza... (Il Pirata, Act III) 3:32
6-7 Qual Suono Ferale Echeggia...Oh, Sole! Ti Vela (Il Pirata, Act III) 4:33
Live In Amsterdam 1959
7-1 Tu Che Invoco (La Vestale, Act II) 11:13
7-2 Surta È La Notte...Ernano! Ernani, Involami (Ernani. Act I) 6:53
7-3 Tu Che Le Vanità (Don Carlo, Act IV) 11:09
7-4 Oh! S'Io Potessi Dissipar Le Nubi... (Il Pirata, Act III) 9:23
7-5 Col Sorriso D'Innocenza... (Il Pirata, Act III) 3:43
7-6 Qual Suono Ferale Echeggia...Oh, Sole! Ti Vela (Il Pirata, Act III) 4:18
Live In London 1961 & 1962
8-1 Ocean! Thou Mighty Monster (Oberon, Act II) 9:55
8-2 De Cet Affreux Combat...Pleurez! Pleurez, Mes Yeux! (Le Cid, Act III) 6:28
8-3 Nacqui All'Affanno...Non Più Mesta (La Cenerentola, Act II) 6:21
8-4 La Luce Langue (Macbeth, Act II) (Incomplete) 3:34
8-5 Piangete Voi?...Al Dolce Guidami Castel Natio (Anna Bolena, Act II) 9:59
8-6 Tu Che Le Vanità (Don Carlo, Act IV) 11:26
8-7 Prélude (Carmen, Act I) 2:02
8-8 L'Amour Est Un Oiseau Ribelle (Habanera) (Carmen, Act I) 4:07
8-9 Entr'Acte (Carmen, Act III) 2:23
8-10 Près Des Remparts De Séville (Séguedille) (Carmen, Act I) 2:21
8-11 De Cet Affreux Combat...Pleurez! Pleurez, Mes Yeux! (Le Cid, Act III) 5:11
8-12 Tu Che Le Vanità (Don Carlo, Act IV) 7:21
8-13 [L'Altra Notte In Fondo A Mare]...In Funero Sopore (Mefistofele, Act III) (Incomplete) 4:31
Live In Paris 1963 & 1976
9-1 Bel Raggio Lusinghier (Semiramide, Act, I) 6:11
9-2 Nacqui All'Affanno...Non Più Mesta (La Cenerentola, Act II) 6:15
9-3 Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table (Manon, Act II) 3:28
9-4 Werther! Qui M'Aurait Dit...Des Cris Joyeux (Werther, Act III) 7:23
9-5 Ben Io T'Invenni...Anch'Io Dischiuso Un Giorno (Nabucco, Act II) 7:51
9-6 Quando Men Vo (La Bohème, Act II) 2:32
9-7 Tu? Tu? Tu? Tu? Piccolo Iddio! (Madama Buttefly, Act II) 3:08
9-8 O Mio Babbino Caro (Gianni Schicchi) 2:24
9-9 Scena & Aria: Ah! Perfido Op.65 (Incomplete) 7:55
-
In Conversation With Edward Downes
Interviewee – Maria CallasInterviewer – Edward Downes
(52:15)
10-1 -
10-2 -
10-3 -
10-4 -
10-5 -
10-6 -
10-7 -
10-8 -
10-9 -
10-10 -
10-11 -

Companies, etc.

  • Phonographic Copyright (p) – EMI
  • Phonographic Copyright (p) – Marcal Investments Ltd
  • Phonographic Copyright (p) – Angel Records
  • Licensed From – EMI Records Ltd.
  • Phonographic Copyright (p) – EMI Records Ltd.
  • Copyright (c) – EMI Records Ltd.
  • Recorded At – RAI Studios, Rome
  • Recorded At – RAI Studios, Milano
  • Recorded At – Herod Atticus Odeon
  • Recorded At – Casino di Sanremo
  • Recorded At – State Fair Music Hall, Dallas Texas
  • Recorded At – Chelsea Empire, London
  • Recorded At – Wood Green Empire, London
  • Recorded At – Royal Festival Hall
  • Recorded At – Musikhalle, Hamburg
  • Recorded At – Liederhalle Stuttgart
  • Recorded At – Concertgebouw, Amsterdam
  • Recorded At – Royal Opera House
  • Recorded At – The Chapel Royal, St James's Palace, London
  • Recorded At – Théâtre des Champs-Élysées
  • Remastered At – Abbey Road Studios
  • Pressed By – www.takt.eu
  • Designed At – WLP Ltd.

Credits

  • Chorus – Dallas Symphony Chorus (tracks: 3-1 to 3-10)
  • Composed By – Ambroise Thomas (tracks: 2-4, 2-9, 2-10), Arrigo Boito (tracks: 4-6, 8-13), Carl Maria von Weber (tracks: 8-1), Gaetano Donizetti (tracks: 1-3, 2-8, 3-4 to 3-8, 8-5), Gaspare Spontini (tracks: 2-1, 5-1, 6-1, 7-1), Georges Bizet (tracks: 8-7 to 8-10), Giacomo Meyerbeer (tracks: 1-6), Giacomo Puccini (tracks: 4-1, 4-4, 4-5, 9-6 to 9-8), Gioacchino Rossini (tracks: 1-8, 2-3, 4-2, 5-3, 6-3, 8-3, 9-1, 9-2), Giuseppe Verdi (tracks: 1-1, 1-2, 2-5, 2-6, 3-1, 3-9, 4-7, 5-2, 5-4, 6-2, 6-4, 7-2, 7-3, 8-4, 8-6, 8-12, 9-5), Gustave Charpentier (tracks: 1-7), Jules Massenet (tracks: 8-2, 8-11, 9-3, 9-4), Ludwig van Beethoven (tracks: 9-9), Léo Delibes (tracks: 1-4), Richard Wagner (tracks: 2-7), Vincenzo Bellini (tracks: 2-2, 3-2, 3-3, 4-3, 4-8, 5-5 to 5-7, 6-5 to 6-7, 7-4 to 7-6), Wolfgang Amadeus Mozart (tracks: 1-5, 3-10)
  • Conductor – Alfredo Simonetto (tracks: 1-5 to 1-8, 2-1 to 2-4), Antonino Votto (tracks: 2-5 to 2-10), Georges Prêtre (tracks: 8-1 to 8-10, 9-1 to 9-8), Sir John Pritchard* (tracks: 4-1 to 4-4), Nicola Rescigno (tracks: 3-1 to 3-10, 4-7, 4-8, 5-1 to 7-6), Oliviero De Fabritiis (tracks: 1-1 to 1-4), Sir Malcolm Sargent (tracks: 4-5, 4-6)
  • Design – Georgina Curtis, WLP Ltd.
  • Libretto By – De Lauzières* (tracks: 1-6, 5-4, 6-4, 7-3, 8-6, 8-12), D'Ennery* (tracks: 8-2, 8-11), Zanardini* (tracks: 1-4), Boito* (tracks: 4-6, 8-13), Du Locle* (tracks: 5-4, 6-4, 7-3, 8-6, 8-12), Pepoli* (tracks: 2-2, 3-2, 3-3), Sterbini* (tracks: 4-2, 5-3, 6-3), Gondinet* (tracks: 1-4), Romani* (tracks: 3-4 to 3-8, 4-3, 4-8, 5-5 to 5-7, 6-5 to 6-7, 7-4 to 7-6, 8-5), Piave* (tracks: 1-1, 2-6, 3-1, 3-9, 4-7, 5-2, 6-2, 7-2, 8-4), Rossi* (tracks: 2-3, 9-1), Hartmann* (tracks: 9-4), Forzano* (tracks: 9-8), Schmidt* (tracks: 1-8, 2-1, 5-1, 6-1, 7-1), Giacosa* (tracks: 4-1, 4-4, 4-5, 9-6, 9-7), Stephanie* (tracks: 1-5, 3-10), Charpentier* (tracks: 1-7), Meilhac* (tracks: 8-8, 8-10, 9-3), Ferretti* (tracks: 8-3, 92), Planché* (tracks: 8-1), Méry* (tracks: 5-4, 6-4, 7-3, 8-6, 8-12), Barbier* (tracks: 1-6, 2-4, 2-9, 2-10), Gallet* (tracks: 8-2, 8-1), Halévy* (tracks: 8-8, 8-10), Illica* (tracks: 4-1, 4-4, 4-5, 9-6, 9-7), Carré* (tracks: 1-6, 2-4, 2-9, 2-10), Milliet* (tracks: 9-4), Gille* (tracks: 1-4, 9-3), Metastasio* (tracks: 9-9), Wagner* (tracks: 2-7), Cammarano* (tracks: 1-3, 2-5, 2-8), Solera* (tracks: 1-2, 9-5), De Jouy* (tracks: 2-1, 5-1, 6-1, 7-1), Blau* (tracks: 8-2, 8-11, 9-4)
  • Libretto By [Edition] – MacFarren* (tracks: 8-1)
  • Liner Notes – Tony Locantro
  • Orchestra – Athens Festival Orchestra (tracks: 2-5 to 2-10), Orchestra* (tracks: 4-1, 4-2), Concertgebouw Orchestra* (tracks: 7-1 to 7-6), Dallas Symphony Orchestra (tracks: 3-1 to 3-10), Sinfonieorchester Des Norddeutschen Rundfunks* (tracks: 5-1 to 5-7), Orchestra Of The Royal Opera House* (tracks: 8-6 to 8-10), Orchestra Della Radiotelevisione Italiana, Milano* (tracks: 2-1 to 2-4), Orchestra Della Radiotelevisione Italiana, Roma* (tracks: 1-1 to 1-8), Orchestre National De La RTF* (tracks: 9-1 to 9-8), Philharmonia Orchestra (tracks: 8-1 to 8-5), Sinfonieorchester Des Süddeutschen Rundfunks* (tracks: 6-1 to 6-7), London Symphony Orchestra* (tracks: 4-7, 4-8), Royal Philharmonic Orchestra* (tracks: 4-5, 4-6), Unknown Artist (tracks: 4-3, 4-4)
  • Photography By – Corbis, Hulton-Deutsch Collection
  • Piano – Jeffrey Tate (tracks: 9-9), Sir Malcolm Sargent (tracks: 8-11 to 8-13)
  • Soprano Vocals – Maria Callas

Notes

CD1:
Tracks 1 to 4: Recorded, 18.II.1952, Studio della RAI, Rome.
Tracks 5 to 8: Recorded, 27.XII.1954, Casino, San Remo.
(P) 1999 / 2002*

CD2:
Tracks 1 to 4: Recorded, 27.IX.1956, Studio della RAI. Milan.
Tracks 5 to 10: Recorded, 5.VIII.1957, Herodes Atticus Arena, Athens.
(P) 1999 / 2002*

CD3: Recorded, 20.XI.1957, State Fair Music Hall, Dallas; (P) 1999 / 2002*

CD4:
Tracks 1 & 2: Recorded, 17.VI.1958, Chelsea Empire, London.
Tracks 3 & 4: Recorded, 23.IX.1958, Chelsea Empire, London.
Tracks 5 & 6: Recorded, 3.X.1959, Wood Green Empire, London.
Tracks 7 & 8: Recorded, 23.IX.1959, Royal Festival Hall, London.
(P) 1999 / 2002*

CD5: Recorded, 15.V.1959, Musikhalle, Hamburg; (P) 1999 / 2003*

CD6: Recorded, 19.V.1959, Liederhalle, Stuttgart; (P) 1999 / 2003*

CD7: Recorded, 11.VII.1959, Concertgebouw, Amsterdam; (P) 1999 / 2003*

CD8:
Tracks 1 to 5: Recorded, 27.II.1962, Royal Festival Hall, London.
Tracks 6 to 10: Recorded, 4.XI.1962, Royal Opera House, Covent Garden, London.
Tracks 11 to 13: Recorded, 30.V.1961, St James's Palace, London.
(P) 1999 / 2003*

CD9:
Tracks 1 to 8: Recorded, 5.VI.1963, Théâtre des Champs-Élysées, Paris.
Track 9: Recorded, 3.III.1976, Théâtre des Champs-Élysées, Paris.
(P) 1999 / 2003*

CD10:
This interview was broadcast in the USA in two parts during the intermissions of the Metropolitan Opera Broadcasts on 30 December and 13 January 1968; (P) 1969 / 1995 Angel Records

(P) as shown. The copyright in these recordings is owned by EMI Marcal Incestments Ltd under exclusive license to EMI Records Ltd except where otherwise stated.
* Digital remastering (P) as shown by EMI Records Ltd except otherwise stated.

This compilation (P) by EMI Records Ltd.
(C) 2012 EMI Records Ltd.
Manufactured and printed in the EU.

Note: All tracks are historical live recordings with technical imperfections. The general quality is not of the standard normally to be expected.

Clamshell cadboard box contain discs in separate, same artwork, sleeves and a 20-page booklet.

Barcode and Other Identifiers

  • Barcode: 5 099955 979429
  • Other (SPARS Code): ADD
  • Label Code: LC 06646
  • Rights Society: Public Domain
  • Rights Society: SDRM / BIEM
  • Other (Category CD 1 (On Disc)): 50999 5 9795 2 8
  • Other (Category CD 1 (On Sleeve)): 5 9795 2
  • Other (Category CD 2 (On Disc)): 50999 5 59796 2 7
  • Other (Category CD 2 (On Sleeve)): 5 59796 2
  • Other (Category CD 3 (On Disc)): 50999 5 59767 2 6
  • Other (Category CD 3 (On Sleeve)): 5 59797 2
  • Other (Category CD 4 (On Disc)): 50999 5 59798 2 5
  • Other (Category CD 4 (On Sleeve)): 5 59798 2
  • Other (Category CD 5 (On Disc)): 50999 5 59799 2 4
  • Other (Category CD 5 (On Sleeve)): 5 59799 2
  • Other (Category CD 6 (On Disc)): 50999 5 59800 2 9
  • Other (Category CD 6 (On Sleeve)): 5 59800 2
  • Other (Category CD 7 (On Disc)): 50999 5 59801 2 8
  • Other (Category CD 7 (On Sleeve)): 5 598001 2
  • Other (Category CD 8 (On Disc)): 50999 5 59802 2 7
  • Other (Category CD 8 (On Sleeve)): 5 59802 2
  • Other (Category CD 9 (On Disc)): 50999 5 59803 2 6
  • Other (Category CD 9 (On Sleeve)): 5 59803 2
  • Other (Category CD 10 (On Disc)): 50999 5 59804 2 5
  • Other (Category CD 10 (On Sleeve)): 5 59804 2

Maria Callas: The Live R. .has been added to your Cart. Containing 20 complete operas – including 12 works she never recorded in the studio – and five complete filmed recitals (with two different stagings of Act 2 ofTosca) on Blu-ray, Maria Callas Live is the indispensable complement toCallas Remastered, Warner Classics’ landmark collection of her studio recordings. This luxury boxset comprises42 CDs(20 complete operas) and3 Blu-ray discs(5 recitals).

Maria Callas LIVE: Remastered Live Recordings 1949–1964's first three operas are the 1949 Nabucco, 1950 Parsifal, and 1951 I Vespri Siciliani. The set culminates with the 1955 Berlin Lucia di Lammermoor, conducted by Herbert von Karajan, 1960 Poliuto, and 1964 Tosca, followed by Blu-rays of the 5 concerts: Paris 1958, Hamburg 1959 & 1962, and London 1962 & 1964.

Composed By – Ambroise Thomas (tracks: 2-4, 2-9, 2-10), Arrigo Boito (tracks: 4-6, 8-13), Carl Maria von Weber (tracks: 8-1), Gaetano Donizetti (tracks: 1-3, 2-8, 3-4 to 3-8, 8-5), Gaspare Spontini (tracks: 2-1, 5-1, 6-1, 7-1), Georges Bizet (tracks: 8-7 to 8-10), Giacomo Meyerbeer (tracks: 1-6)

MARIA CALLAS is regarded as one of the greatest divas of all time, whose recordings are standards by which all subsequent performances are judged. The 13-CDs of Studio Recordings include not only scenes and arias from her stage repertoire, but also other pieces that she never sang on stage. Special highlights of this set are two CDs of rarities, including a test from a 1953 session with producer Walter Legge as well as a recently discovered item from an aborted project of duets with Franco Corelli.

CD (Number of discs: 14) 20 Nov 2015. This outstanding collection of studio recitals provides fascinating insights into Maria Callas’s career and her unique artistry and musicality. Encompassing the core operatic repertoire for which she was most revered, as well as roles that she never sang on stage, these recitals demonstrate Callas’s exceptional versatility – from bel canto to verismo, dramatic mad scenes to impeccably sung coloratura – and form an integral part of her recorded legacy.

Altri album di Maria Callas. María Callas Sings!, Vol. 3. 1. 9. Mein Wunschkonzert. Callas in Concert - The Hologram Tour. The One & Only, Vol. 4. Cherubini: Medea (1953 - Milan) - Callas Live Remastered. Maria Callas - Live & Alive. Gluck: Ifigenia in Tauride (1957, Milan) - Callas Live Remastered. Rossini: Armida (1952, Florence) - Callas Live Remastered.

In her lifetime Maria Callas was a legend. Ever since her death on September 16th, 1977, she lives on in the memory of the public at large, far beyond the circle of opera fans. Callas was real on stage, like no other singer before her: "Compared to her, most singers were pleasant to listen to, but as if they were disconnected from reality, recalls Renata Scotto. Callas spoke to us in the present. One needn't say more than that! Callas had to struggle her whole life since her birth in New York in 1923.

Number of Discs: 10. Released: November 21, 2006. Originally Released: 2006. Label: Emi Classics . Ardon Gli Incensi (Act Iii). Ombra Leggera (Shadow Song) (Act Ii). epuis Le Jour (Act Iii).

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