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» » Hans Zimmer, Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack)
Hans Zimmer, Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack) album download


Hans Zimmer


Blade Runner 2049 (Original Motion Picture Soundtrack)


Electronic / Stage

MP3 album size:

1438 mb

Other music formats:



4.6 ✱


Score, Soundtrack, Ambient



Date of release:


Hans Zimmer, Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack) album download


1-1 Hans Zimmer, Benjamin Wallfisch 2049 3:37
1-2 Hans Zimmer, Benjamin Wallfisch Sapper's Tree 1:36
1-3 Hans Zimmer, Benjamin Wallfisch Flight To LAPD 1:47
1-4 Frank Sinatra Summer Wind 2:54
1-5 Hans Zimmer, Benjamin Wallfisch Rain 2:26
1-6 Hans Zimmer, Benjamin Wallfisch Wallace 5:23
1-7 Hans Zimmer, Benjamin Wallfisch Memory 2:32
1-8 Hans Zimmer, Benjamin Wallfisch Mesa 3:10
1-9 Hans Zimmer, Benjamin Wallfisch Orphanage 1:13
1-10 Hans Zimmer, Benjamin Wallfisch Furnace 3:41
1-11 Hans Zimmer, Benjamin Wallfisch Someone Lived This 3:13
1-12 Hans Zimmer, Benjamin Wallfisch Joi 3:51
2-1 Hans Zimmer, Benjamin Wallfisch Pilot 2:17
2-2 Elvis Presley Suspicious Minds 4:22
2-3 Elvis Presley & The Jordanaires Can't Help Falling In Love 3:02
2-4 Frank Sinatra One For My Baby (And One More For The Road) 4:24
2-5 Hans Zimmer, Benjamin Wallfisch Hijack 5:32
2-6 Hans Zimmer, Benjamin Wallfisch That's Why We Believe 3:36
2-7 Hans Zimmer, Benjamin Wallfisch Her Eyes Were Green 6:17
2-8 Hans Zimmer, Benjamin Wallfisch Sea Wall 9:53
2-9 Hans Zimmer, Benjamin Wallfisch All The Best Memories Are Hers 3:22
2-10 Hans Zimmer, Benjamin Wallfisch Tears In The Rain 2:10
2-11 Hans Zimmer, Benjamin Wallfisch Blade Runner 10:05
2-12 Lauren Daigle Almost Human 3:22

Companies, etc.

  • Distributed By – Epic Records


  • Music By – Benjamin Wallfisch, Hans Zimmer
  • Producer [Soundtrack Album Produced By] – Ashley Culp, Kayla Morrison, Michael Hodges
  • Supervised By [Music Supervision By] – Deva Anderson


Second edition of the limited, numbered edition of the CD with alternate cover art. Limited to 2,049 copies.
Six-panel (tri-fold) cardsleeve

Compilation © & ℗ 2017 Alcon Sleeping Giant (ASG) Records exclusively distributed by Epic Records, a division of Sony Music Entertainment

Barcode and Other Identifiers

  • Barcode: 190758008523
  • Other (CD 1): 88985494342-1
  • Other (CD 2): 88985494342-2
  • Other (Booklet): 88985494342
  • Matrix / Runout (CD1): DIDX-1088373 1 A02
  • Mastering SID Code (CD1): IFPI L328
  • Mould SID Code (CD1): IFPI 50C8
  • Matrix / Runout (CD2): DIDX-1088374 1 A01
  • Mastering SID Code (CD2): IFPI L327
  • Mould SID Code (CD2): IFPI 50C8

Other versions

Category Artist Title (Format) Label Category Country Year
19075803641 Hans Zimmer & Benjamin Wallfisch Hans Zimmer & Benjamin Wallfisch - Blade Runner 2049 - Original Motion Picture Soundtrack ‎(2xLP, Album, 150) Epic, ASG 19075803641 US 2017
Y4DDBR01MP320 Hans Zimmer, Benjamin Wallfisch Hans Zimmer, Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack) ‎(24xFile, MP3, Album, 320) Warner Bros. Records Y4DDBR01MP320 US 2017
19075803641 Hans Zimmer & Benjamin Wallfisch Hans Zimmer & Benjamin Wallfisch - Blade Runner 2049 - Original Motion Picture Soundtrack ‎(2xLP) Epic, Alcon Sleeping Giant Records, Sony Music 19075803641 UK & Europe 2017
88985494342 Hans Zimmer & Benjamin Wallfisch Hans Zimmer & Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack) ‎(2xCD, Album, Ltd, Num) Epic, ASG 88985494342 US 2017
19075803092 Hans Zimmer & Benjamin Wallfisch Hans Zimmer & Benjamin Wallfisch - Blade Runner 2049 - Original Motion Picture Soundtrack ‎(2xCD, Album) Epic, Alcon Sleeping Giant Records, Sony Music 19075803092 Europe 2017

Benjamin Wallfisch, Hans Zimmer. Benjamin Wallfisch, Hans Zimmer.

Almost Human (from the Original Motion Picture Soundtrack Blade Runner 2049) by Lauren Daigle. This past weekend I saw "Blade Runner 2049" in the theater (more on that later). If you have seen the original Blade Runner movie (released in 1982), you know that it features a brilliant electronic score, courtesy of the legendary Vangelis. The question was whether Vangelis would return for the long awaited sequel. As it turns out, he did not.

Blade Runner is a soundtrack composed by Greek electronic composer Vangelis for Ridley Scott's 1982 film Blade Runner. The original soundtrack release was delayed for over a decade, until 1994, despite the music being well-received by fans and critically acclaimed-it was nominated in 1983 for a BAFTA and Golden Globe as best original score.

Blade Runner 2049: Original Motion Picture Soundtrack is the soundtrack album for the 2017 film Blade Runner 2049. Released in October 2017, the album contains music composed by Hans Zimmer and Benjamin Wallfisch, along with additional tracks by Elvis Presley, Frank Sinatra and Lauren Daigle. The soundtrack was produced by Michael Hodges (producer), Kayla Morrison and Ashley Culp

Composers: Hans Zimmer - Benjamin Wallfisch. Blade Runner 2049 (Original Motion Picture Soundtrack). Composers: Hans Zimmer - Benjamin Wallfisch. Composers: Hans Bradtke - Heinz Meier - Johnny Mercer.

Hans Zimmer and Benjamin Wallfisch talk to FACT's Claire Lobenfeld about their process (and gear!) for composing the Blade Runner 2049 score. Following up Vangelis’s iconic Blade Runner score was never going to be easy, and that task eventually fell to Oscar-winning composer Hans Zimmer and It’s Benjamin Wallfisch. Claire Lobenfeld sat down with the duo at Zimmer’s Santa Monica recording studio to explore the influences and processes behind the year’s most eagerly-anticipated soundtrack. Hans Zimmer was about to embark on his first-ever live tour when he was asked to work on the score for Blade Runner 2049.

By Hans Zimmer, Benjamin Wallfisch. Almost Human - from the Original Motion Picture Soundtrack Blade Runner 2049 - Lauren Daigle. X-Men: Dark Phoenix (Original Motion Picture Soundtrack). The World of Hans Zimmer - A Symphonic Celebration (Live). Widows (Original Motion Picture Soundtrack). The Journey: Champions (Original Soundtrack). True Romance (Original Motion Picture Score). Listen to Blade Runner 2049 (Original Motion Picture Soundtrack) now. Listen to Blade Runner 2049 (Original Motion Picture Soundtrack) in full in the this site app. Play on this site.

deadly claw
I listened to this back-to-back tonight with the 180 gram vinyl 2018 reissue of original blade runner soundtrack. What a wonderful way to spend an early summer evening. Each album is good in its own way - but here are some comments (sometimes comparing with the original movie Vangelis soundtrack vinyl)1) Sound quality.... My copy does NOT have fingerprints or signs of dirt/mishandling from a new-purchased copy. Looks clean right out of the packaging. I washed each vinyl with spin-clean record cleaning wash, carefully, just to prep for the ideal listening experience. Out of the 2 vinyls, 4 sides total, there were 3 instances where the lower-volume gradient intros did have some light crackle, i.e. instead of listening to the growing pure drone of a synth there are some 'fireplace crackle' vinyl artifacts audible when first putting the cartridge to the vinyl on 3 sides. Well for whatever reason when I gave the vinyl a light sweep with a carbon fiber brush, on the 2nd play this crackle, which mind you is probably a tolerable amount for many, was probably decreased by 40% or so. No longer as irritating. And it's only in the first minute or so, i.e. very outer edges of the vinyl. For the rest of each vinyl surface crackle was almost nonexistent, i.e. about what you would expect from a good clean new well-manufactured vinyl record. Thus I have to report that this is not vinyl that has every sound come at you, regardless of dynamics (i.e. especially quiet parts), out of the blackest of empty silences with no surface noise whatsoever. I wish it was so. This is a paradox of vinyl altogether (i.e. sounds better than lossy digital formats, but does bear some artifacts). 2. Music quality.....Original Blade Runner soundtrack has much more emphasis on crime-noir themes in a sci-fi setting. Suitable for a focus on Deckard as someone who is a detective who is intrigued by a dame and is in pursuit of something where outside forces are powerful and pushing back. The Vangelis stuff works well because it's like a futuristic jazz sax at times, at other times has a piano section that you imagine in a dusty, whiskey filled bar - goes with the loney detective seeking occasional respite in a rough world. Some of this carries over to Blade Runner 2049 of course, but in the case of 2049 there is more of a ongoing focus (I think) of the protagonist being puzzled/affected/haunted by his own (implanted) memories and shifting sense of identity/affinity. I'm sure others who study these movies may disagree but I'm just offering an interpretation here, and I'll just throw out the tentative suggestion that Deckard throws himself outside into the world more, whereas K is much more "in his own head" from even the very start of the movie. So, the newer 2049 sound track has more atmospheric surges and swells, like the things K is trying to sort out in his own head, and the piano theme here is comparatively much more sparse (just about the only non-synth melodic element). Bottom line - there are overlaps between the two soundtracks but also differences in thematic emphasis. So, the newer soundtrack suits the more recent film. Also as a 2018 listener I just think Vangelis is great for reedy synth pads and textures that by now are presets on so many hardware synths today. The newer soundtrack seems to have more processed sounds for more modern times, i.e. the otherworldly pads and droning sounds and other textures are the next evolution. Timbre/distortion etc is pushed more in the newer soundtrack as part of the sonic construction.3. Coherence of presentation.....I wish the pop song did not exist at the end of side 4. It doesn't fit the mood of the soundtrack but I guess it's nice like an alarm clock to remind you to get up and take the cartridge off the vinyl. It's basically the 'end credits ' song that gets you to rustle about, gather your things, and leave the movie theater. But out of a whole long soundtrack you get no elvis or adele etc for all the rest of the vinyl, which is nice. 4. Packaging.....I wish the packaging of the vinyl for Blade Runner 2049 was more epic - gatefold, etc. But it's good enough just because it represents what is basically the movie poster on the front cover. I'm sticking the vinyl in some mobile fidelity sleeves then sticking the cardboard outer sleeve in some protective mylar with backing - it will look nice that way.Final review, then, subjective score:Quality of soundtrack: 8.5/10. It's unique, it's great, it takes me places. I will re-listen often.Quality of pressing 7/10. Not the disaster people make it out to be. But I do recommend cleaning the vinyl. I don't know why there is the 'intro of vinyl/right at beginning' crackle. Quality of packaging 5/10 - averageListened to using ortofon 2M Bronze cartridge. Playing music back on Adam A8X monitors + sub
Worst pressing I've come across in years. DO NOT BUY!
Soundtrack is superb (with the exception of that last track/pop song) but the pressing leaves much more to be desired. There was dusty paper residue on the records from the sleeves they came in (people should stop packing them in those thick paper/cardboard material) and all sides had plenty of pops and clicks throughout. Initially I thought it was from the paper residue stuck within the grooves but after cleaning them twice on my own and one professionally done at the record store, the pops and clicks remain. Epic, Alcon Sleeping Giant Records and Sony Music...step up the quality yo.
Mine sounds okay after cleaning but it is slightly warped. Also disappointed in the packaging. Hoping this soundtrack will get a better release in the future.
Has anyone run a copy of the vinyl pressing through a vacuum record cleaner and has it helped get rid of any of the surface noise?
No fingerprints on my numbered edition but they were dirty and there is surface noise when played. They aren't warped. I agree that the last song is somewhat out of place. The music is great but the inclusion of 'Tears In The Rain' by Vangelis reminds you of just how high the bar of comparison is to his score.
Apparently the CDs of this have mastering problems and distortion that's not present on the downloads. Can anyone verify?
Zeks Horde
I thought I had ripped badly, but notice noise straight away on the intro of the 1st track at least

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