Quincy Jones - Music from the original motion album download
Quincy Jones – $ (Music From The Original Motion Picture Sound Track). Label: Reprise Records – REP 44 168. Format: Vinyl, LP, Album, Promo.
Tracklist: 01. Money Is (feat Little Richard) 04:28 02. Snow Creatures 03:16 03. Rubber Ducky 01:10 04. Redeye Runnin' Train (feat Doug Kershaw) 02:54 05. Shady Lady 01:06 06.
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The Dude is a 1981 studio album released and recorded by Quincy Jones. The album produced three . Top 40 hits and features the debut of vocalist James Ingram on the singles "Just Once" and "One Hundred Ways," which reached No. 17 and 14, respectively, on the Billboard Hot 100. ("One Hundred Ways" was sampled by MF Doom for the track "Rhymes Like Dimes," from his debut solo album, Operation: Doomsday.
As modern big-band leaders go, Quincy Jones in the '60s would be first choice for many composers who wrote for a television series or the cinema. Though not the original themes, Jones was quite able to produce a full album featuring Henry Mancini's famous songs from movies and the small screen. This collection of the familiar and obscure Mancini done in 1964, preceded famed epic scores written by Jones from films The Pawnbroker and The Deadly Affair.
The Hangover - Original Motion Picture Soundtrack. Live At Montreux 1996. 1999 Original Motion Picture Soundtrack. Turn It On Again - The Hits.
Music From The Adventurers. Quincy Jones, Ray Brown Orchestra 01-01-1970. Love Theme From "The Adventurers". Music From The Adventurers.
Прослушать Скачать 03:23. Pink Panther Theme Album Version. Прослушать Скачать 02:54. Прослушать Скачать 03:37. Patti Austin, James Ingram. Baby, Come To Me Album Version. Hikky Burr Theme From "The Bill Cosby Show". Прослушать Скачать 03:36. Прослушать Скачать 06:38. Barry White, Al B. Sure!, James Ingram, El DeBarge. The Secret Garden (Sweet Seduction Suite). Прослушать Скачать 02:31.
Still, Quincy Jones notes that there was some resistance to the interracial romance implied by the song. Radio didn’t like the idea of Paul and Michael fighting over the same girl, and some stations wouldn’t play it, he says. Jackson’s instincts proved correct – the song made it to Number Two on the pop charts and all the way to Number One on the R&B singles chart. The most hotly debated song from the first half of Thriller’s sessions would prove to be the album’s central track. As the demo included on the 2001 reissue reveals, Jackson had a very clear sense of the sound and the groove for Billie Jean – one of the four songs he contributed to the album – from the beginning. But Jones contended that the instrumental introduction was too long. You could shave on that intro, said Jones.