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» » Kinesthesia - Kinesthesia Volume 1
Kinesthesia - Kinesthesia Volume 1 album download

Performer:

Kinesthesia

Title:

Kinesthesia Volume 1

Genre:

Electronic

MP3 album size:

1361 mb

Other music formats:

FLAC ADX VQF MPC AC3 AUD MP3

Rating:

4.4 ✱

Style:

Techno, Abstract, IDM

Country:

UK

Date of release:

1993

Kinesthesia - Kinesthesia Volume 1 album download

Tracklist

C1 Church Of Pain 7:05
C2 Kobal 6:02
J1 German 5:58
J2 4J 6:08

Companies, etc.

  • Distributed By – Kudos Records Ltd.
  • Lacquer Cut At – Porky's Mastering
  • Phonographic Copyright (p) – Rephlex
  • Copyright (c) – Rephlex

Credits

  • Lacquer Cut By – Porky
  • Producer, Composed By – Chris Jeffs

Notes

On the back sleeve, Jo Sullivan is credited for Sax on the track 'Quadrephlex'. This track however appears on the 12" Kinesthesia - Kinesthesia Volume 2.
The sides of the vinyl and lettered C & J. C = Chris & J = Jeffs.

Barcode and Other Identifiers

  • Barcode: 5 027238 001161
  • Matrix / Runout (Runout Side C): CAT 011-C1 A Porky Prime Cut
  • Matrix / Runout (Runout Side J): CAT 011-J1 Respect to Mark E.G.

Other versions

Category Artist Title (Format) Label Category Country Year
CAT 011 EP, CAT 011 Kinesthesia Kinesthesia Volume 1 ‎(12", EP) Rephlex, Rephlex CAT 011 EP, CAT 011 UK 1995
CAT 011 Kinesthesia Kinesthesia Volume 1 ‎(12", EP, Promo) Rephlex CAT 011 UK 1993



Kinesthesia ‎– Kinesthesia Volume 1. Label: Rephlex ‎– CAT 01. This track however appears on the 12" Kinesthesia - Kinesthesia Volume 2. The sides of the vinyl and lettered C & J. C Chris & J Jeffs. Matrix, Runout (Runout Side C): CAT 011-C1 A Porky Prime Cut. Matrix, Runout (Runout Side J): CAT 011-J1 Respect to Mark . Other Versions (2 of 2) View All. Cat.

Kinesthesia is used in poetry and prose to describe the vivid physical actions or movements of characters and objects. It is used as a graphic and vibrant technique of scenes that appeal to the senses of the readers. Besides, it helps the imagination of a reader to envision the scenes and characters in literary works. Kinesthesia could be used in two forms: descriptive and figurative. In addition, writers not only employ kinesthesia for physical movements, they also create images based on the intensity of feelings and depth of meaning.

Kinesthesia - Flicklife (Mix By Cylob). Rephlex – CAT 022 EP Vinyl, 12", EP, 33 ⅓ RPM UK Jan 1996 Electronic confusion - zone (which mix) 5 years ago. confusion - zone (which mix). Album: Kinesthesia Volume 1 Label: Rephlex Year: 1993 CAT 022 LP. Kinesthesia - Flicklife (Mix By µ-Ziq) 3 years ago. Kinesthesia - Flicklife (Mix By µ-Ziq).

Kinesthesia I. Album ∙ 2016 ∙ 1 Songs. Kinesthesia I. NA. {"url":null,"pid":"zuxuia6g","length":"106"}.

Coined based on Ancient Greek κινέω (kinéō, I put in motion ) + αἴσθησις (-αισθησία) (aísthēsis (-aisthēsía), sensation ) (after anesthesia, etc). Compare kinesthesis and Modern Greek κιναισθησία (kinaisthisía). US) IPA(key): /ˌkɪnɪsˈθiʒə/, /ˌkaɪnɪsˈθiʒə/ (see usage notes). kinesthesia (countable and uncountable, plural kinesthesias). Sensation or perception of motion. For quotations of use of this term, see Citations:kinesthesia.

Album · 2013 · 10 Songs. Kinesthesia Dante Bucci. Listen on Apple Music.

kolos
I remember my brother rushing out to get this after hearing it in a club somewhere in darkest east London. Can't believe there's no love for 'German' > the standout track for me. The sample "Everyone thought we were German" is taken from an interview with Richard D. James (Aphex Twin) Very, very experimental and fresh for the time - remember this was 1993. Classic early Rephlex
Alsanadar
This record and it's follow up are among the best that Rephlex has to offer. They are sharp, precise knives designed to peel the skin off your face like an over-irrigated grape in front of a conveniently placed mirror for your edification at the hands of a demented musical cartel enforcer. And let's face it, who doesn't enjoy a bit of a slap and torture on a lazy afternoon followed by a nice hot acid bath in a plastic rainwater barrel? This is seriously good gear, far better than the later mindless wank spelunked out of the overflowing IDM drop pit which has terminally infected this label in a Quixotic quest to freak itself out while taking a dump in the bushes. These recordings are an artifact from another time before we became swamped by irrelevant wannabe Detroit poseurs pulling a Mills stumbling incoherently toward their latest snoretastic excursion to enrich their career in an environmentally friendly manner recycling the same old tired bollocks. These works are the musical equivalent of a good horror movie lovingly crafted by some nutter glued to an Emu sampler distracted from their mission only when battling an overflowing ash tray. You'll have a hell of a time finding anything quite like this. Make no mistake, these records are strangely timeless and a whole lot better than anything shat out of the back passage of some Cornwall hippies busy defacing the London underground to sucker people into buying what amounts to a bunch of unfinished stems. These are nothing like that. These are the real deal. These are Industrial Techno.
Dellevar
church of pain is unique . it is not pleasant not beautiful nothing is good but so powerful. it is not consensual . it s awful but there is a true who emerge from this track . i really like it . a beautiful awful . the other tracks are really good but not like church of pain because church of pain is an ugly beauty it is rare . conceptual pure straight and radical . a gem of unpleasant techno spirit
Whilingudw
frederic.tiersoone church of pain is unique . it is not pleasant not beautiful nothing is good but so powerful. it is not consensual . it s awful but there is a true who emerge from this track . i really like it . a beautiful awful . the other tracks are really good but not like church of pain because church of pain is an ugly beauty it is rare . conceptual pure straight and radical . a gem of unpleasant techno spirit Kinda freaky ain't it when that severely weird church organ hits ya in the brain...One of a Masterclass of Industrial Techno!
SING
I always found tracks like Church Of Pain as being a producers idea of how can I be as fuckin annoying as possible & see if the label actually goes for it.Kobal is killer, German is OK for....er intelligent Gabba I suppose & 4J is a pretty cool deep rolling Detroit type techno & is a track that hasn't aged at all really....in fact 4J is dope as hell.
Snake Rocking
Brain church that house of pain till you are paralyzed...................23....... 1992......... but today is 26th of may 2019.......................????? The year is wrong?
Shalinrad
If you are into your Industrial Techno... ?Rusty, blunt edged sounds?Then head for Church Of Pain... !But make sure you have had a tetanus jab, otherwise you will end up in this Church(?)...Where no one is here to help you as they couldn't care less about themselves..Sorry.???????Deranged music...Its like your brain has got trapped inside collapsable razor wire...Dirty infectious,weird and beautifully dark music!... I personally am bored of the ever so fluffy BS... Haha..Come people, open up them wounds! Today is still yesteryear!
NiceOne
This 12" is all about Kobal. Wonderful track. Not fussed about the rest. It's worth it for Kobal alone.
Bolv
"Kobal" is the only good track; "4J" is inoffensive (if not very inspired). The rest of them are rusty, outdated things.
Datrim
This was a record that was always played in our flat at college after a session to scare girls. Listening to "church of pain" all the way through is an achievement, two minutes of drone and just when you think it can't get any more difficult, the anvil dropped of a high building percussion starts. The rest of the ep is fairly fluffy ambience, but church of pain is like a harder version of Sote's electric deaf.

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