Ken Elliott - Rock-A-Boogie album download
- Mixed At – Chalk Farm Studios
- Producer – Seventh Wave
- Written-By – Ken Elliott
|PB 5207||Ken Elliott||Rock-A-Boogie (7", Single, Promo)||RCA||PB 5207||UK||1979|
|PC 5207||Ken Elliott||Body Music / Rock-A-Boogie (12", Promo)||RCA||PC 5207||UK||1979|
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Rock-A-Beatin' Boogie is a 1952 song composed by Bill Haley and first recorded by The Esquire Boys in 1952. Bill Haley and the Comets recorded the song in 1955 for Decca. The song was featured in the 1956 movie Rock Around the Clock. Danny Cedrone recorded the first version of the song with his group The Esquire Boys and "nitery singer" Kay Karol. It was released as a 78 single on Rainbow 200, backed with "If It's Love You Want To Borrow" in December, 1952.
The album was released in the . in 1971 by RCA Records, and re-released in 1977 by Pickwick Records. It was compiled by Richard Robinson and originally included a piece by rock critic Richard Meltzer on the back cover
Elliott's vocalizing has not earned the same respect from critics as his keyboard work. When hired at a session, leaders may make many demands of him in terms of providing keyboard sounds but do not ask him to sing.
Rockabilly Robert Gordon. 队列表 Rockabilly Robert Gordon Rock Billy Boogie. Band Name Robert Gordon. 1. Rock Billy Boogie. 3. I Just Found Out. 4. All by Myself. 7. It's Only Make Believe.
Elliott Rock is a 23 year old International DJ based in Leeds, UK. Specialist in Old School RnB, HipHop, Dancehall, Afrobeats and Grime. Over the last 2 years he has firmly established himself as one of the top DJs in Leeds, pioneering the movement of Urban music through Various Bars, clubs and events throughout the UK. For summer 2018 he held DJ residences abroad for TIBU Nightclub and Bijoux Bar in Marbella with regular performances and private bookings for various event companies. He firmly cemented his spot as one of the top Multi genre DJs over in Spain.
The album carried the torch for song-based hard rock awesomeness during the lean years of rap-rock, cribbing as much from the Beatles and glam-era Bowie as from avant-metal kin like The Melvins. On their most intimate, sonically rich album, the cutest couple in indie rock found a sweet spot between the elegant noise-guitar hum of 1993's Painful and the bedheaded grooviness of 1997's I Can Hear the Heart Beating As One. Whether a gorgeous dance-pop tune inspired by a Simpsons episode ("Let's Save Tony Orlando's House"), recalling a dance-floor meet-cute over slow-dissolve guitar echo and a Latin-tinged rhythm ("The Last Days of Disco") or shyly covering a Seventies R&B chestnut (George McCrea's "You Can Have It All.