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» » Various - Third Rail Screamin' - The Rhythm and Blues of New York City
Various - Third Rail Screamin' - The Rhythm and Blues of New York City album download




Third Rail Screamin' - The Rhythm and Blues of New York City



MP3 album size:

1630 mb

Other music formats:



4.7 ✱


Electric Blues, Rhythm & Blues, East Coast Blues

Date of release:


Various - Third Rail Screamin' - The Rhythm and Blues of New York City album download

Tracklist Hide Credits

1 Chris Carter * Gonna Scratch Your Name Off The Mailbox
Written-By – Frank Spinale, Linda Looper
2 Chris Carter * Ain't Got No Home
Written-By – Chris Carter
3 Pat Cisarano I Need A Kiss
Written-By – Pat Cisarano
4 Pat Cisarano (Don't You Wanna) Do The Right Thing
Written-By – Pat Cisarano
5 Uptown Horns Featuring Ben Houston On The Deuce
Written-By – Arno Hecht, Bob Funk, Crispin Cioe, Paul Litteral
6 Uptown Horns 52 Pick-Up
Written-By – Arno Hecht, Bob Funk, Crispin Cioe, Paul Litteral
7 Bad Luck And Trouble Bad Girl
Written-By – David Santos
8 Bad Luck And Trouble Down And Dirty
Written-By – David Santos, Nunzio Signore
9 Paula Lockheart To Keep A Lady Waiting
Written-By – Paula Lockheart
10 Paula Lockheart Howlin' At The Moon
Written-By – Paula Lockheart

Companies, etc.

  • Copyright (c) – RaveOn Productions
  • Recorded At – Baby Monster Studios
  • Mixed At – Baby Monster Studios
  • Mastered At – Zen Masters


  • Alto Saxophone, Baritone Saxophone – Crispin Cioe (tracks: 5, 6)
  • Backing Vocals – Chris Eminizer (tracks: 4), Emily Bindiger (tracks: 5, 6), George Naha (tracks: 4), Leslie Wagner (tracks: 5, 6), Mike Gutilla (tracks: 3, 4), Sherryl Marshall (tracks: 5, 6), Wrecia Ford (tracks: 3, 4)
  • Bass – Marty David (tracks: 1, 2), Phil Butler (tracks: 3, 4), Tony Garnier (tracks: 5, 6)
  • Bass, Keyboards – David Santos (tracks: 7, 8)
  • Design, Artwork – Gene Campanelli
  • Drums – Chris Cullo (tracks: 1, 2), Crusher Green (tracks: 5, 6), Dave Ratajczak (tracks: 9, 10), Frank Duncan (tracks: 7, 8), Rod Gross (tracks: 3, 4)
  • Electric Upright Bass – Steve Alcott (tracks: 9, 10)
  • Engineer – Gil Abarbanel
  • Executive-Producer – Frank Migliorelli, Gene Campanelli
  • Guitar – Chris Carter (tracks: 1, 2), Danny Draher (tracks: 5, 6), George Naha (tracks: 3, 4), James Chirillo (tracks: 9, 10), Nunzio Signore (tracks: 7, 8)
  • Keyboards – Charlie Giordano (tracks: 5, 6), Paul Griffin (tracks: 3, 4), Tom Mandel (tracks: 1, 2)
  • Mastered By – Rick Rowe, Steve Burgh
  • Percussion – Fred Walcott (tracks: 5, 6)
  • Piano – Kevin Bents (tracks: 9, 10)
  • Producer – Steve Burgh
  • Saxophone – Chris Eminizer (tracks: 3, 4)
  • Tenor Saxophone – Bill Overton (tracks: 9, 10), Bob Malach (tracks: 1, 2), Bruce Revels (tracks: 3, 4)
  • Tenor Saxophone, Baritone Saxophone – Anders Gårdmand (tracks: 1, 2)
  • Trombone – Arno Hecht (tracks: 5, 6), Conrad Herwig (tracks: 1, 2)
  • Trumpet – Larry Etkin (tracks: 1, 2), Paul Litteral (tracks: 5, 6), Peter Macnamara (tracks: 3, 4)
  • Vocals – Ben Houston (tracks: 5), Frankie Paris (tracks: 1, 2), Jack O'Neill (tracks: 7, 8), Pat Cisarano (tracks: 3, 4), Paula Lockheart (tracks: 9, 10)

Barcode and Other Identifiers

  • Barcode (Text): 7 65968 03242 4
  • Matrix / Runout: 324-CD-01

Electric Blues, Rhythm & Blues, East Coast Blues. Marketplace 0 1 For Sale from €1. 0.

New Orleans rhythm and blues is a style of rhythm and blues music that originated in the . Most popular from 1948 to 1955, it was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and vocals. The style is characterized by syncopated "second line" rhythms, a strong backbeat, and soulful vocals

Screamin' the Blues is an album by American saxophonist Oliver Nelson, originally released in 1961 on New Jazz Records. All tracks written by Oliver Nelson, except where noted. Oliver Nelson - tenor saxophone, alto saxophone. Eric Dolphy - bass clarinet, alto saxophone. Richard Williams - trumpet. Richard Wyands - piano. George Duvivier - bass.

Tracks count: 11. Views: 7. Robert Parker - Across The Tracks 02:24. Lee Diamond & the Upsetters - It Won't Be Me 01:58. Eddie Bo - Tell It Like It Is 02:21.

Some of the material on this album was previously released on OKEH Records. Manufactured by Epic Records/CBS Inc. A5, C6: (Unreleased). Matrix, Runout (Side A runout stamped): AL 37650-1D.

And there are cuts by cats like Johnny Jones, Nashville's premier blues guitar slinger, Audrey Bryant, the city's Sarah Vaughan, and others who scored big on Nashville radio and jukeboxes, such as Peggy Scott and Jo Jo Benson, Clifford Curry, and Robert Knight. While some of these names might not mean much to causal listeners of old rhythm and blues and soul, connoisseurs will be delighted to find these sides, many of them on CD for the first time

He left St. Louis for New York City as a boy of 11 years old. He ended up living with an aunt in Brooklyn, NY. He began his remarkable, . .Lorraine Vivian Hansberry (1930 - 1965). Lorraine Hansberry (May 19, 1930 – January 12, 1965) was an African American playwright and author of political speeches, letters, and essays Sammy Strain. The main information and outline is from "They All Sang On The Corner: A Second Look at New York City's Rhythm and Blues Vocal Groups," by Philip Groia; Published by Phillie Dee Enterprises, In. Port Jefferson, New York, 1983, Tenth Printing, October 2005. The bulk of these groups existed from the early 1950s until around 1970.

It’s not enough to compile a damned Christmas album in the 100 degree temperatures of a Los Angeles summer but now that Ted Carroll is busting my balls for an article for some magazine he runs, and its part of the original deal from 199.King, Mr Lowell Fulson, the mellow tones of Jesse Belvin and the down home boogie of Smokey Hogg. That’s just one of three ‘new to your ears’ cuts on this essential collection. Why John Dolphin canned Merry Christmas Baby by Mari Jones & Johnny Moore Orch we’ll never know, a finer platter of mellow blues with a sublime Johnny Moore guitar it would be hard to find.

Their mixture of blues and rhythm and blues with a touch of early soul, gave the band a solid base of faithful fans all over Europe, America and the rest of World. These six boys from the city of Brno (Czech republic) have been rockin’ together for more than a decade in a rock’n’roll revival band The Fireballs (CZ), learning the ins and outs of the genre from the masters like Bill Haley, Chuck Berry, The Treniers, Jimmy Cavello, Freddie Bell or The Big Six. After 10 years, they decided it was time to move into somewhat more demanding territory and formed a pure & authentic jiving combo called GONE HEPSVILLE. Shakedown Tim & the Rhythm Revue deliver the blues as if they hand-carried it from the Mississippi Delta to Chicago personally.

The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contributed to the development of rock and roll, the term "R&B" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Alan Freed, who had moved to the much larger market of New York City in 1954, helped the record become popular with white teenagers.

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