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TCHAIKOVSKY
A1	Why? Op. 6, No. 5
A2	Gypsy's Song, Op. 60, No. 7
A3	In The Bright Rays Of Dawn, Op. 65, No. 3 (In French)
A4	You Flew There Like A Bird, Op. 65, No. 1 (In French)
A5	The Fires In The Rooms Were Already Extinguished, Op. 63, No. 5
A6	Oh, Child, Beneath Thy Window, Op. 63, No. 6
A7	The Mild Stars Shone For Us, Op. 60, No. 12
DARGOMIJSKY
B1	We Parted Proudly
RIMSKY-KORSAKOFF
B2	Of What I Dream In The Quiet Night, Op. 40, No. 3
B3	Svitezianka (The Mermaid), Op. 7, No. 3
GLINKA
B4	Doubt Cello – Fedor Luzanov
B5	Young Beauty
B6	Ah, If I'd Known Before

Credits

• Mezzo-soprano Vocals – Nadezhda Andreyevna Obukhova*
• Piano – Matvei Sakharov*

Album · 2013 · 13 Songs. Oboukhova Sings Nadezhda Oboukhova. Nadezhda Oboukhova, Matvei Sakharov & Pyotr Ilyich Tchaikovsky.

The Organ-Grinder Sings, 24. In Church. Tchaikovsky: Selected Pieces for the Pianoforte in Two Volumes New York: G. Schirmer, (1896). Opus/Catalogue NumberOp.

David Nuttal, Larry Sitsky. Rimsky-Korsakov: Sadko - Arr. Larry Sitsky - Chant hindou. David Nuttal, Larry Sitsky.

Sample this album Artist (Sample).

Nadezhda Nikolayevna Rimskaya-Korsakova (Russian: Надежда Николаевна Римская-Корсакова née Purgold (October 19 (. October 31), 1848 – May 24, 1919) was a Russian pianist and composer as well as the wife of composer Nikolai Rimsky-Korsakov. She was also the mother of Russian musicologist Andrey Rimsky-Korsakov. Born Nadezhda Nikolayevna Purgold in St. Petersburg, she was the youngest of three daughters and the great-granddaughter of the 18th century jurist Johann Purgold

Rimsky-Korsakov must have realised how much tension the Snegurochka affair had created between himself and Tchaikovsky and he waited until after his colleague’s death before taking up a subject that he had already used for an opera: Vakula the Smith, which in 1874 Tchaikovsky had adapted from Gogol’s Ukrainian tale, Christmas Eve, for a competition organised by the Russian Musical. During Tchaikovsky’s lifetime, I could not have taken up the subject without causing him pain, wrote Rimsky-Korsakov in his Chronicle, - a phrase as laconic as it was telling in ethical terms.

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