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» » John Gary - First Lady Waltz
John Gary - First Lady Waltz album download


John Gary


First Lady Waltz



MP3 album size:

1102 mb

Other music formats:



4.3 ✱



Date of release:


John Gary - First Lady Waltz album download


A First Lady Waltz
B First Lady Waltz

Companies, etc.

  • Published By – Jimmy McHugh Music, Inc.


  • Written-By – McHugh*, Washington*


Both sides identical

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Matrix / Runout (A-Side Label): TBA-003
  • Matrix / Runout (B-Side Label): TBA-003
  • Matrix / Runout (A-Side Runout Etching): TBA-003 12-2 662
  • Matrix / Runout (B-Side Runout Etching): TBA-003 12-2 662

Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962. The album was the fourth and final effort from the unit-LaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard were taken. The loss of LaFaro hit Evans hard, and he went into a brief seclusion

A. The First Lady Waltz Written By – tten-By.

John Gary Strader (November 29, 1932 - January 4, 1998) was an American singer and a technically accomplished vocalist. On the Street Where You Live.

As a film, The Last Waltz was a triumph - one of the first (and still one of the few) rock concert documentaries that was directed by a filmmaker who understood both the look and the sound of rock & roll, and executed with enough technical craft to capture all the nooks and crannies of a great live show.

John Gary Williams also included soulful remakes of such R&B favourites as Four Tops’ ‘Ask The Lonely’ and The Spinners’ ‘How Could I Let You Get Away’, and a surprising take on Bobby Goldsboro’s pop hit ‘Honey’. Sadly, the album made little impact at the time, not helped by Stax’s financial instability of the period. Williams managed a further single in 1975 for its Truth label, soon before the company’s enforced closure. The reissue is a welcome restoration of an engaging part of 70s soul history

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